Daniel Lara’s practice examines our physical and metaphysical perceptions of space with sound as the conduit for our experiences.

The therapeutic elements of sound play an important role in the production of his installations, workshops and sound compositions. His work is often composed of and inspired by forms, harmonies and vibrations, such as in “Un primer encuentro con frecuencias humanas ocultas” (A first encounter with hidden human frequencies) where the physical record is as much the artwork as the sounds it emits. With methods of divination such as dowsing, Daniel collects frequency data and converts this information into electronic media to generate sounds.